![]() He joined the Berkeley Community Chorus and Orchestra for Mozart’s Requiem, the Sacramento Choral Society and Orchestra for Home for the Holidays, and performed in the West Coast premiere of Kevin Puts’ Pulitzer Prize winning Silent Night. During the 2016-2017 season he was heard as Enrico in Lucia di Lammermoor, Figaro in Il barbiere di Siviglia, and Marcello in La Boheme all with Opera San Jose. The season ended with concert performances for the Minnesota Opera. Holiday concerts with the Sacramento Choral Society and Diablo Symphony were followed by the Father in Hansel and Gretel for Stockton Opera and Carmina Burana with the Sacramento Ballet. The 2017-2018 season consisted of Escamillo in Carmen with the Spokane Symphony followed by de Brétigny in Manon for Opera Santa Barbara. Finally another return, this time to the Sacramento Choral Society for Mendelssohn’s secular cantata Die erste Walpurgisnacht, started the spring season. This was followed by a return to Sarasota Opera for what Opera News called an “extraordinary” Papageno in Die Zauberflöte. The 2018-19 season began at Minnesota Opera as “Sleepy” Bill Burns and Fred McMullin in the workshop of the the world premier opera The Fix by Joel Puckett with libretto by Eric Simonson about the betting scandal in the 1919 World Series. Matt began his 2020 season at Sarasota Opera making a role debut as Mercutio in Gounod’s Roméo et Juliette before theaters across the country were closed by the Covid-19 pandemic. Praised for his “rich baritone” and for singing with “power, insight, and flawless delivery,” Baritone Matt Hanscom is enjoying success across the continent.
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